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Artist: The Mystery Trend
Title: So Glad I Found You
Year Of Release: 1967/1999
Label: Big Beat Records
Genre: Folk Rock, Garage Rock, Psychedelic Rock
Quality: Mp3 320 / Flac (tracks, .cue, log)
Total Time: 56:00
Total Size: 177/346 Mb (scans)

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Tracklist:
1. Carl Street (Ron Nagle) - 2:50
2. So Glad I Found You (Bob Cuff, Ron Nagle) - 2:20
3. Words You Whisper (Bob Cuff) - 2:23
4. Johnny Was a Good Boy (Bob Cuff, Ron Nagle) - 2:44
5. One Day for Two (Bob Cuff, Larry Bennett, Ron Nagle) - 2:08
6. Carrots on a String (Bob Cuff, Ron Nagle) - 1:57
7. Ten Empty Cups (Bob Cuff, Ron Nagle) - 2:21
8. Mercy Killing (Ron Nagle) - 3:02
9. Mambo for Marion (Bob Cuff, Ron Nagle) - 2:03
10.Substitute (Pete Townshend) - 3:00
11.There It Happened Again (Bob Cuff, Ron Nagle) - 2:28
12.Shame, Shame, Shame (Miss Roxie) (Ken Hopkins, Reuben Fisher) - 2:26
13.House on the Hill (Bob Cuff, Ron Nagle) - 2:22
14.From the Collection of Dorothy Tate (Ron Nagle) - 2:14
15.Carrots on a String (audition version) (Bob Cuff, Ron Nagle) - 2:05
16.What If I (Ron Nagle) - 2:46
17.Wake Up Cryin' (Ron Nagle) - 3:00
18.Lose Some Dreams (Larry Walorny) - 3:03
19.Empty Shoes (Bob Cuff, John Luby, Ron Nagle) - 4:08
20.Let Me See with My Eyes (Bob Cuff) - 5:51
21.Carl Street (audition version (Ron Nagle) - 2:36
Larry Bennett - Bass
John Luby - Drums, Vocals
John Gregory - Guitar
Ron Nagle - Vocals, Clavinet, Piano, Organ
Bob Cuff - Vocals, Guitar
Larry West - Guitar (Tracks 17-19)
Citovať príspevok:
The Mystery Trend have been more a legend than a band since their dissolution, although some lo-fi unreleased tapes have made the rounds on the collectors' circuit. This 21-song compilation finally presents their legacy properly, including all of their 1966-67 Trident studio recordings, as well as some demos and even a solo demo apiece by Ron Nagle and guitarist Bob Cuff. Although some of the tunes are run-of-the-mill period rock, more often they're intriguing oddball art-pop-rock with a dash of psychedelia. "Words You Whisper" and "Ten Empty Cups" have a wistful, keyboard-grounded air that will seduce any Zombies fan, while the similar but poppier "There It Happened Again" is something like L.A. sunshine pop played with guts and imagination. Other cuts give you more of the weirdness you'd expect from a mid-1960s San Francisco band, as in the anxious melody, dread-infused words, and constant stops and starts of "Mercy Killing"; the lovely, lilting jazzy instrumental "Mambo for Marion"; and the ominous but tuneful "What If I" and "Lose Some Dreams" (which are like a darker Zombies). It's too bad that more of the pre-Trident demos that have been heard by collectors on unreleased tapes were not included, as some of them are quite up to par with the Trident sessions in the quality of the songwriting (if not fidelity), although a couple of them do appear on the CD.

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